3 Films, 1 Date

A friend sent me this on Facebook, and it got me thinking. April Story (1998, Japan), written/dir. by Iwai Shunji. Cinematography by Shinoda Noboru. Starring Matsu Takako. The most perfect arthouse film ever made, in my humble opinion. There is nothing that could be added to or subtracted from this film to improve it inContinue reading “3 Films, 1 Date”

Honorable Mentions for Other Top Films of 2010-2019

So I realized there were loads of films that had not made my original list and I wanted to do them justice. Some of the films I didn’t include because I wanted to promote other works that I considered absolute favorites, others I felt were very good but overhyped, and still others I hadn’t seenContinue reading “Honorable Mentions for Other Top Films of 2010-2019”

An Elephant Sitting Still (2018)

This review contains spoilers and references to suicide.Photos courtesy of US distributor KimStim. It is impossible to talk about An Elephant Sitting Still without discussing the subsequent suicide of its writer/director, Hu Bo, at age 29. His first and last feature-length film, An Elephant Sitting Still represents a remarkable artistic achievement and an overwhelming tragicContinue reading “An Elephant Sitting Still (2018)”

Top 100 Films of 2010-2019

Still the Water, dir. by Kawase Naomi (2014, Japan) Ten Years, dir. by Kwok Zune, Wong Fei Pang, Jevons Au, Chow Kwun Wai, Ng Ka Leung (2015, Hong Kong) Capernaum, dir. by Nadine Labaki (2018, Lebanon) Mysteries of Lisbon, dir. by Raúl Ruiz (2010, Portugal) The Great Buddha+, dir. by Huang Hsin Yao (2017, Taiwan)Continue reading “Top 100 Films of 2010-2019”

Diamantino (2019)

This review contains slight spoilers. [When big-hearted but dimwitted Portuguese soccer hunk Diamantino blows it in the World Cup finals, he goes from superstar to laughing stock overnight. His sheltered worldview is further shattered after learning about the European refugee crisis and he resolves to make amends by adopting an African refugee – only toContinue reading “Diamantino (2019)”

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